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The bus bodywork has been divided into three coloured horizontal strips to optimize the perception of vehicle size and to minimize realization and maintenance costs.
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On the superior part of the bus has been used a high tech paint characterized by "effect pigments". According to the sunlight tilt, the colour changes.
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The middle strip is green to underline the eco-friendly vocation of the buses. The lowest strip (subject to wear and dirt) is cobalt blue, one of the changeable shade of the tile.
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The colour project for the bodywork aims to minimize the aesthetic impact of the bus in relation to the Veronese chromo-landscape context.
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To create an harmonic, bright and relaxing chromatic atmosphere inside the bus, warm and cold colours have been accurately balanced.
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The link with the territory is underlined by the two dominant colours, yellow and pale blue, the colours of the city of Verona, seen in this case also from a functional point of view.
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The link with the territory is underlined by the two dominant colours, yellow and pale blue, the colours of the city of Verona, seen in this case also from a functional point of view.
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A sinestetic choice: the light lilac of the resin walls evokes pleasant olfactory sensations.
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Il celeste chiarissimo del sottotetto dà l’impressione di un notevole sviluppo in altezza ed amplifica l’abitabilità visiva.